Hideo Shiraki | en

HIDEOUS DIVINITY's music starts taking form in January 2007 between Oslo (Enrico, former founding member of HOUR OF PENANCE now living in Norway) and Rome (Synder & Mauro, both members and ex-members of... way too many bands to mention). The aim is to come out with some real, straight-in-your-face unholy death metal: in other words, the only music in the world that deserves to be played. The two songs featuring the "Sinful Star Necrolatry" were written and arranged by Enrico during 2007 and finally recorded by Enrico, Synder and Mauro in September, 2007 at the 16th Cellar Studios by the...

At age 4, began playing classical Piano and by reaching age 10, Hideo discovered new form of music, techno pop, which inspired his musical talent. At age 15, He began recording tracks he composed with synthesizer , sequencer , rhythm machine and performing live at local clubs. He then joined production of club music and released his first techno sounding record in 1995. Going forward, he focused on production of electronic beats and sounds which inspired Tokyo club scenes. In 1999, he visited San Francisco where he was introduced to West Coast House music as well as being exposed to...

Hideo Shiraki (白木秀雄; born 1 January 1933 in Tokyo; died 31 August 1972) was a Japanese jazz drummer and bandleader, best known for his work in the 1950s and 1960s. Famed earlier on for hard bop, he later explored world jazz. Shiraki emerged in the new Japanese jazz scene of the 1950s that grew out of the influence of the US occupying forces.[1] He studied percussion at the Tokyo School of Fine Arts and, during this period, played with Masashi Nagao's Blue Coats. In the late 1950s and early 1960s, his quintet was popular in Japan and was associated with...

Hideout is Manhattan-based songwriter Gabriel Rodriguez, who's also a longtime member of fellow NYC indie-pop band Cults. His sophomore album So Many Hoops, So Little Time is due out 2/3/17 via Small Plates Records. It’s been two years since the release of Hideout’s debut album Rookie, and in that time many things have changed for Rodriguez. Most tragically, the passing of his brother. So Many Hoops, So Little Time deals with grief in different spectrums –– the album ranges both sonically & lyrically from whimsical space-pop to crushing acoustic vulnerability. There isn’t a singular concept or message, but the deeper...