Irish Film Orchestra;Mark Suozzo | en

Irishman Mr. Irish Bastard, or that f@@@ing bastard, as he is fondly known to friend and foe alike, writes drink-drenched songs that capture the spirit of the country and the raw energy of his punk roots. It's rough, it's dirty and it's straight from the heart. The boys and girl have released "St. Mary's School of Drinking" and "The Bastard Brotherhood" in February 2008. The band is now going to hit the road, drink, party, be obscene and are going to get into some probably punishable acts! Coming along? .

electronic freakfolk pop - Grand Rapids, Michigan. http://fusionshows.com/artists/michigan/f https://filmloom.bandcamp.com .

The Irish Experience play Celtic and Appalachian music on traditional and electric instruments. The band was formed in 1996 to play a Saint Patrick's Day show in Seattle, USA. A self-titled CD was released in 2003 with lineup consisting of Joe Bowbeer, Tom Hotchkin, Tom May and Dave Smith. The track Morrison's Jig was licensed by Hallmark in 2008 for use in their Say It With Music line of greeting cards. Green Energy featuring The Wicked Jig was released in 2009. The track Paddy on the Landfill is featured in the movie Kill the Irishman released in 2011. Official site...

Bill Majoros is the songwriter and lead vocalist / Multi-instrumentalist of Psychedelic pop act The Foreign Films. Born in Hamilton, Ontario, Bill is a Canadian musician who has toured, recorded and played with many Canadian acts including Universal Honey, The Paper Airplane Company, The Cloudsmen, and Altogether Morris. From 1997 to 2004, he worked as main writer & guitarist in Flux A.D., winning Hamilton Music Awards 2004 "Best Alternative Album of the Year"[1] .- fellow members in Flux A.D. included Julie Fader (from the Great Lake Swimmers and Sarah Harmer's band), and Graham Walsh from Holy Fuck.Bill has also worked...

"There are no songs in electronic dance music," lament The Film. "That bothered us. So we chose to take a human approach making music like rock n' roll musicians.' Frustrated by the sterile and faceless world of 808s and 909s, Guillaume Briere and longtime collaborator Benjamin Lebeau set upon hotly tipped project, The Film. Meandering soundscapes have been shunned in favour of snappy three minute song structures and devastating hooks. Blending technology with live instrumentation, they've struck upon a unique brand of irresistibly groove laden and unashamed pop rock. Drawn together by a common interest in music, the duo met...