Hit N Hide | en

1. Hideaway are a 4 piece emo group from Custer, South Dakota. Their debut EP 'Accidents Happen Closest to Home' premiered on April 20th, 2015 2. Hideaway are a five piece Metalcore band from Melbourne, Australia. Formed in 2013, Guitarist Jake Parker and vocalist Jayden Schintler left their previous band, with a vision to create music of a heavier and more technical genre. Jake and Jayden then started the search to find other musicians with the same passion in music. The first member for them to come across was guitarist Jamie Canning, who was going to school with Jake at...

hide with Spread Beaver was a Japanese rock band formed in the late '90s. Vocalist and guitarist, hide, formed the band after the disbandment of his previous group, X JAPAN. Most of the members of Spread Beaver were originally hide's live musicians for his two solo tours, but the group only formally became "hide with Spread Beaver" at the end of 1997. They released one single and recorded one more before the unexpected death of their vocalist. Their first and only album, Ja,Zoo, was still incomplete at the time of hide's death, with only three songs recorded. However, the album...

Bark Hide and Horn is a four-man rock orchestra hailing from Portland, Oregon. The boys create a full, dynamic sound that, within any song, can shift from soft, haunted folk to loud, raucous blues, with hints of indie-rock, country, gospel, and mariachi escaping in between. Many of their songs are like short stories, with characters lifted from the pages of old National Geographic magazines. Their world is populated by rebellious insects, love-lorn tree snails, enraged grizzly bears, and the naturalists who love them. From these unusual perspectives, classic themes of American music are given new life. .

Ogurusu Norihide (小栗栖憲英, born august 8, 1977) might be the most extreme example of the compelling new laptop folk genre which several artists in the Carpark Records stable (see also Greg Davis, Takagi Masakatsu) have been exploring in recent years, falling much nearer to the experimental acoustics of Richard Youngs and Steffen Basho Junghans than the folksy electronic of Boards of Canada or label mate Marumari. Clearly influenced by minimalist composers like Philip Glass and Steve Reich, Norihide's work is obsessed with repetition, variation, and negative spaces, demanding deep listening. A Shinto priest, Norihide seems captivated by notions of cleanliness...